![]() ![]() Fortunately, this ingredient is amply lavished elsewhere: in the beeping BPMs of PinkPantheress and Ava Max, the gloriously artificial K-pop regiment Fifty Fifty, and the merciless hit merchant Charli XCX belting her irresistibly idiotic bop Speed Drive. Still, Ronson touches glory with the 11 o’clock number I’m Just Ken, launching Ryan Gosling’s pitch-corrected himbo into full masculine meltdown.įor all the Midas touch he exhibits on Dua Lipa’s Dance the Night, Ronson the songwriter lacks a requisite sprinkling of saccharine camp for a job like this. ![]() But the accompanying film feels as though it’s straining to live its truth as a fully fledged musical, and as a result a few of the soundtrack’s starry contributors – Sam Smith, Tame Impala, Haim – can’t seem to decide whether they’re serving the gods of pop or narrative. ![]() Viewed simply as an ensemble mixtape, it shines like a kaleidoscope in 20 shades of coral. Although YouTube features millions of tracks, by every artist you can think of, most of which have been uploaded by its users rather than record companies, it also offers lots of royalty- and. Pop’s perpetual Peter Pan Mark Ronson has assembled this glitzy doll’s house of pop royalty to soundtrack this summer’s biggest movie blockbuster, co-writing five tracks himself and producing a handful more. ![]()
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